The vampire is a common image in today’s pop culture, and one that takes many forms: from Alucard, the dashing spawn of Dracula in the PlayStation game “Castlevania: Symphony of the Night”; to Edward, the romantic, idealistic lover in the “Twilight” series.
In many respects, the vampire of today is far removed from its roots in Eastern European folklore. As a professor of Slavic studies who has taught a course on vampires called “Dracula” for more than a decade, I’m always fascinated by the vampire’s popularity, considering its origins – as a demonic creature strongly associated with disease.
